![]() |
[music, albums] February 16, 2005 8:27:00 PM CET XVII: 1982 Brian Eno - On Land
People who have followed this series from the beginning on might be a little surprised by my 1982 choice. It is an album which didn’t feature in the poll. When creating the poll I didn’t think of On Land as I hadn’t seriously listened to it. Phil from one faint deluded smile mentioned it in the comments and after having realised that none of the ten records in the poll was exciting enough to be my album of the year I started relistening to On Land. When reading the liner notes with the music on the speakers it suddenly clicked. I was drawn in slowly like into a far away maelstrom in a sea which I had taken erroneously for totally calm. I have never cared a lot about Eno’s minmal and ambient music as put forward before on Discreet Music and Music for Airports. The kind of stuff to which Satie’s term furniture music fits quite well. It does not ask to be listened to. It flows along without any highs and lows. If it creates an atmosphere it is an atmosphere of void. Music with the aim of going nowhere, just turning around itself endlessly. Music which does not reward the listener. On Land is different. It uses natural sounds to which the listener can cling to. They evoke memories. They tell stories of places. Brian Eno just forms those found sounds and weaves an electronic wrapping around them. He creates something highly unique and seamless by fusing the organic with technology. Eno recorded this album in New York. Like the city it is a melting pot. A mysterious record which gives the listener the freedom to associate whatever his phantasy is able to come up with when exposed to this earth music. Exactly in between Tangerine Dream’s cosmic star track Zeit and Peter Gabriel’s tribal Passion soundtrack. In the past couple of years I got more and more attracted to simple environmental sounds like the waves hitting the coast (Jack Kerouac wrote a long poem on the Pacific ocean at Big Sur). Or wind chimes. There is a place near Big Sur where they have thousands of them which play a magnificent natural symphony when it is windy. Last summer in Norway we cycled to the end of an island where there were hundreds of screaming sea-gulls flying around. It was like the end of the world. You could forget about humanity when closing the eyes and taking in those rough bird screams. Some track by track impressions: 1 Lizard Point 2 The Lost Day 3 Tal Coat 4 Shadow 5 Lantern Marsh 6 Unfamiliar Wind (Leeks Hills) 7 A Clearing 8 Dunwich Beach, Autumn, 1960 Some quotes from Eno and another contributor on the album: On the origin of the music from the liner notes: The choice of sonic elements in these places arose less from
listening to music than from listening to the world in a musical way. When I was in Ghana, for instance, I took with me a stereo microphone and a cassette recorder, ostensibly to record indigenous music and speech patterns. What I sometimes found myself doing instead was sitting out on the patio in the evenings with the microphone placed to pick up the widest possible catchment of ambient sounds from all directions, and listening to the result on my headphones. The effect of this simple technological system was to cluster all the disparate sounds into one aural frame; they became music. On the instrumentation and the sampled sounds (liner notes):
As I made these pieces, I began to take a different attitude
towards both the materials and the procedures I was using. I found the synthesizer, for example, of limited usefulness because its sound tended towards a diagrammatic rather than an organic quality. My instrumentation shifted gradually through electro-mechanical and acoustic instruments towards non-instruments like pieces of chain and sticks and stones. Coupled with this transition was an increasing interest in found sound as a completely plastic and malleable material; I never felt any sense of obligation about realism. I this category I included not only recordings of rooks, frogs and insects, but also the complete body of my own earlier work. As a result, some earlier pieces I worked on became digested by later ones, which in turn became digested again. The technique is like composting: converting what would otherwise have been waste into nourishment. On the ideas behind and reverb: I became interested in inventing places for sounds. I often listen to music and get a picture of a certain time of day, a certain type of light. I did that with On Land: for each piece I had an image of a time of day. On Land is specifically dedicated to the idea of creating places in music. It's a record that very much celebrates the special things you can do in a recording studio. Obviously, echoes are evocative because they remind you of places. But the echoes on On Land aren't like anything that could possibly exist. On some of these things I'm using 70-second reverbs. Nothing like that exists in nature or in artifact; even the Taj Mahal, which has very long reverberation, is only about 12 seconds. Nonetheless, [the 70-second decay] is evocative of a type of space. It's dramatized, just like Fellini amplifies the lady's breasts.
Bill Laswell who plays bass on Lizard Point on the featured sounds:
Laswell would later tell writer/composer David Toop of the experience helping Eno in the studio one summer in New York: “We would go to Canal Street and we’d buy junk—those hoses you twirl around—and gravel, put it in a box and put reverb on it. All these weird things to make sounds. We’d be in this bathroom with these overhead mikes, making sounds for days.”
Here is the overview of the series 40 years, 40 albums of which part XVII was this post.
nonightsweats,
February 18, 2005 7:22:58 AM CET
alex! i am surprised... and delighted too. i'm really glad you found something of value in this work. i think it's easily his most fully realized ambient release, no matter what the ideas behind his version of ambient supposedly are. now, if only i could convince you about music for airports... ... link ... comment |
![]() |
last updated: 4/30/17 6:47 PM subscribers: 387 contact: alex63 at bigfoot dot com 40 years, 40 albums why this is called close your eyes some photos ![]() Youre not logged in ... Login
![]() ![]() ![]() Audience feedback “That's my advice if anything terrible ever happens to you: Form a ... by alex63 @ 4/30/17 6:47 PM Tom Tom Club - Genius of Love Whatchu gonna do when you get out of jail?I'm gonna have some ... by alex63 @ 3/30/17 1:51 PM Stop making sense or long live the plural Die Suche nach dem Sinn ist deswegen vergeblich weil das Leben nicht ... by alex63 @ 5/14/16 12:23 AM Men and women are two different species! Starting with the title's premise, that men and women are two different ... by I Kafallo @ 3/26/15 5:31 PM the place to be war am donnerstag zum ersten mal im berghain und ich glaube es ... by alex63 @ 12/27/14 6:43 PM ...
kehlkopfkrebs habe ich laut hno jedenfalls nicht. danke für die aufmunterung, eigentlich ... by alex63 @ 6/27/14 9:01 AM ![]()
![]() 03/02 GIANT SAND, F, Brotfabrik............. ![]()
music (EN)
--------------- aloof from inspiration an aquarium drunkard the art of noise NEW aurgasm the blue in the air bradley's almanac destination out disquiet dissensus dj martian egg city radio eyes that can see in the dark fingertips i love music an idiot's guide to dreaming k-punk largehearted boy leonard's lair misha4music moistworks motel de moka musicophilia one faint deluded smile organissimo jazz forums the perfumed garden said the gramophone silence is a rhythm too stereogum swens blog utopian turtletop vain, selfish & lazy vinyl mine warped reality wordsandmusic music (DE, FR) -------------------- la blogothèque euroranch hinternet machtdose le musterkoffer musikstrom satt.org: musik schallplattenmann die zeit - musik other (EN) --------------- josh blog open chess diary orbis quintus the ringdahl family NEW time4time wood s lot other (DE) --------------- ahoi polloi bahnchaos NEU bloggold NEU cargo NEU chill daily ivy dichtheit und wahrung einschicht etc.pp. filmtagebuch goncourt's blog herdentrieb hotel mama (i think) he was a journalist jacks blog NEU ligne claire malorama meine kleine stadt mek wito passantin passe.par.tout pêle-mêle dans ma tête private collection reisenotizen aus der realität schachblätter schachblog der schachneurotiker with or without words... x.antville blog bardo --------------- the absintheur's journal brain farts buked & scorned dd denkt laut ja zu aa the mystical beast ohrzucker sofa. rites de passage sound of the suburbs spoilt victorian child three hundred bars yo, ivanhoe ![]() ![]() ![]() ![]() |