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May 11, 2002 at 7:25:00 PM CEST [music, albums] May 11, 2002 at 7:25:00 PM CEST Reviewing a review
I received the new Wilco CD from Amazon this morning together with Houellebecq's first novel to exceed the 20 € shipping costs limit. Quite a good performance by Amazon. I had placed the order on Thursday 14h29, they sent it out yesterday 17h53 and it arrived this morning around 10. Even though I was not always happy with them in the past there is no doubt that Amazon is one of the best online shops.
So right now I am listening to Wilco's Yankee Hotel Foxtrot for the third time. I had very high expectations concerning that album after what I had read in Badger's blog, at Pitchfork and in the German Rolling Stone. And I have to say that I am not disappointed. A rock album with a song mentioning Jesus (cf. the 3rd VU, the first two House of Loves, Cohen's 1st, Big Star's last, Tom Waits' "Bone Machine", Giant Sand's "Chore", Nirvana's "Unplugged" etc.) very often is a milestone. I was afraid that Tweedy's voice which I found a little feeble after 2-3 mp3s and some clips of Wilco songs I had listened to before would put me off but it doesn't at all. YHF is a real album which should be listened to from beginning to end. The last album in a similar vein I know was Blur's excellent somber "13" from 1999. Though YHF is a little softer and I don't know if Tweedy is coming to terms with the end of a relation like Albarn was. YHF is not about sunshine neither and seems very controlled in places. I haven't found a really weak track, the outstanding one after the first listens is obviously the pop gem "Heavy Metal Drummer" followed closely by the sentimental closer "Reservations" which hits a similar chord in me as " Actually I am getting carried away here. I didn't want to write a review. How could I after only three listens. I wanted to comment on a review by one of the foremost rock critics, Greil Marcus who subtitled his latest "Real Life Rock Top 10" column in Salon: Wilco signify something... I am curious what uncle Greil will tell us about Wilco's long-awaited new album on CD, its message and the meaning of the music. The cover features photos of Chicago skyscrapers, Thanks a bunch I thought those were huts in the African bush. and the first four words, "I am an American," That sounds very promising. Like the beginning of an in-depth analysis of the lyrics. Go on Greil. are the same as those of Saul Bellow's 1953 "The Adventures of Augie March": Isn't he smart this man? He is not only an expert of rock but also of literature. Chapeau! "Chicago born," Bellow The connection to the cover. That's brilliant. said after a comma: "aquarium drinker," Wilco leader Jeff Tweedy says without one. That's what I call deep insight into rock. As a rock critic you have to be meticulous. How could anyone take you seriously if you'd skip a punctuation mark? The difference between literature and rock is a comma. It's easy. That must have taken a lot of scientific research. One small annotation: didn't Bellow write that? And didn't a character in the book say it? Didn't know Bellow said it as well. But I trust you Greil. Last question: did Bellow say the comma as well? But Augie March knew how to walk against the wind on the streets, to go right past you with such force you turned around and watched his back, wondering who he was -- The literature pope speaks. He knows a lot about me. Didn't know I would try to watch the back of Augie March. Usually backs don't turn me on. Never heard of that character neither. Have you? Do you watch backs? while Tweedy's singing, never strong, Objection, your honour! That is a subjective statement which is not founded on any evidence. I bet Tweedy sings better than you Mr Marcus. At least you have almost arrived to the object of your review, the music, now. here recedes into a dithering miasma apparently meant to signify thinking it all over, What a careful choice of exquisite words in the first half of the quote. I'll try to remember "miasma" for my next review. It sounds very cool and clever. Even after looking it up it doesn't make sense to me here. Plus the key to the interpretation of the record. Marcus can read minds. But isn't too sure. Why "apparently"? If I understand well, according to Marcus with his way of singing Tweedy wants to show that he isn't too sure neither. Of what? Of anything! That's a strong philosophical statement, but a genius like Marcus can't be wrong, can he? plus sound effects apparently meant to signify the modern world. That's one "apparently" too much, isn't it? Marcus is losing the ground under his feet. But we are in the modern world. So maybe that's understandable. How old are you Greil? In other words, it isn't against the law to redo "Revolver", 100% agreement here. That could have been the beginning of a nice adequate praise of this album, but I am a dreamer, I guess. YHF as the "Revolver" of the zero years would have been a little over the top nevertheless, I suppose. but that doesn't mean it's a good idea. Especially if you're an American. And you record in Chicago. That's missing, Mr Marcus. It would have been so nice to close the circle. Thank you very much for this amazing piece of critic Mr Marcus. I think you have almost arrived to the perfect rock review here. You could just try to write a little less about the music next time, couldn't you? link (no comments) ... comment |
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