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March 19, 2002 at 11:36:00 PM CET [music, albums] March 19, 2002 at 11:36:00 PM CET Neil Young: Are You Passionate? Neil Young's new album is coming out in Germany April 8th but you can already listen to it here at the buzztone site (via stevie nixed). You can skip the first song. With my slow connection at home I only had the time to listen to five more songs. The second is ok but not great, the third one rubbish again, number four is a nice bluesy ballad, number five is "Let's Roll", the famous 9/11 tribute song on the flight which crashed near Philadelphia. The last song I listened to was the title song which is noodling into no man's land. I hope the title of the record is not meant in the way that you have to be passionate to buy this Neil Young album. I have got most of them. Obviously I really did not appreciate someone who wrote on the ILM thread Neil not so Young that the lyrics of "Cortez the Killer", which is one of my favourite rock songs of all-time were dumb. I'd say they are naive which was quite normal in those utopian times in between the hippies and the punks. Though as Ned pointed out in the thread the starting line "He came dancing across the water" is probably one of the most powerful beginnings of a song in pop history. link (no comments) ... comment [music, songs] March 19, 2002 at 10:21:00 PM CET Mysterons After having followed the ILM thread Portishead - are we fickle or did they deserve to become dated so quickly? and having read Josh's recent post on them I relistened to "Dummy" as well. I was sure that the record would not have the same impact as in 1994 when I heard "Roads" on MTV and was completely overwhelmed by the tristesse and Verlorenheit (forlornness) emanating from that voice, the trembling synthesizer and the slow beats. I hadn't listened to it for a long time and back in 1994 I definitely had listened to it too often so that it had become one of those loved-to-death records. But I had a nice surprise. Especially the first track "Mysterons" with the extremely addictive slow drum machine rhythm which has a drum roll at the end did it for me. Already the start of that song is gorgeous. A guitar plays some ascending notes and the synthie sounds like a quacking duck. First the duck is quite shy and not too loud and then it bursts into some serious quacking which comes from scratching I guess. The song is then dominated by a low synthie sound layer. After a while the theremin (apparently only a patch on a minimoog according to this thread) joins in and produces some long beautiful sounds. They seem to come from the sky and remind me of the whoosh of a fast-blowing wind. Absolutely otherworldly. At the end of that song the drumming becomes very shaky and rolls like a thunder in slow motion. The less poetic technical term for this is reverb I think. link (no comments) ... comment [links] March 19, 2002 at 10:21:00 PM CET Give me a reason to love you. Give me a reason to be a woman. (Portishead - Glory Box)
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