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[music, books] September 30, 2004 at 2:25:00 PM CEST Can we believe him this time? From the soon to be published first volume of Bob Dylan's memoir Chronicles : I had very little in common with and knew even less about a generation that I was supposed to be the voice of.
On Blood on the Tracks: Eventually I would even record an entire album based on Chekhov short stories—critics thought it was autobiographical—that was fine.
From the talk with David Gates: As Dylan sees it, his fame distorted not only his life but his art; he reacted to it with new music calculated to baffle expectations, and he ended up baffling himself. 'I didn't know what it was I was really doing. I was going on reputation. Which buys you a certain sum, but you're not in control. And until you gain control, you're never quite sure you're doing the right thing? In my case anyway? So I went for a long time precisely on that fame that we're talking about. But-it was like a bag of wind. I didn't realize it was slipping away until it had slipped away.' And how long did this go on? 'Artistically speaking, it would have to have begun sometime in Woodstock-not personally, but in a public way-till maybe when that 'Time Out of Mind' record came out.'
I ask myself the question who was first. The self-mystificator Dylan or the media product Dylan? Was inventing stories about himself his way of fleeing from the disadvantages of fame (gatecrashers, stalkers, paparazzi) or was it just a trick to even accelerate the hype? What he writes there sounds quite plausible but I can't believe that he just was a normal singer/songwriter who wanted to lead a tranquil family life whose life plan was destroyed by the evil media. |
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