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[music, artists] June 8, 2003 at 4:32:00 PM CEST Cat Power & Nick Drake She is going to play tonight at the Mousonturm (thank you, Andreas for the tip) in Frankfurt. Probably she will play mostly her new very good album You Are Free. But I wouldn't mind seeing her perform my two favourites of hers which almost made me cry when I listened to them today. The terrific Nude as the News and the hypnotic Cross-Bones Style. Somehow in her purity and other-worldiness she reminds me of Nick Drake. I had Northern Sky in my waking ear this morning and had to listen to it together with the whole of Bryter Layter. Northern Sky is almost a lush song in Nick Drake's œuvre. I don't mean that in terms of production. Maybe the piano which is played by John Cale makes the difference. There is a lucidity and serenity in this song I absolutely adore. Nick Drake seems to have found the joy in his melancholy. Just the first lines: I never felt magic crazy as this
I never saw moons knew the meaning of the sea
I never held emotion in the palm of my hand
radiate an inner beauty I can't resist. I also noted that on Hazey Jane II, another perfect song from this album, Richard Thompson played the lead guitar. Untypically for Drake the feel of this song is very American, very Western. The characteristic lead guitar play to me sounds a lot like a guitar heroe who was going to emerge about eight years later: Mark Knopfler. Richard Thompson must have been a very strong influence for him. The three instrumentals on Bryter Layter are also grand cru. My faves are the title track (a mystification of Brighter Later, I suppose) and especially the closer Sunday with the wonderful and wise impressionist flute theme. The strings fit in there perfectly. In the end I was surprised how much I liked the record as in my memory it was the least appealing of his due to the over-production with strings and stuff. But even the women background choir on the self-mocking Poor Boy somehow made sense though I really hate these kind of choirs. One of these Things First was another stand-out in the simplicity of the tune and the almost surreal lyrics: I could have been your pillar, could have been your door
I could have stayed beside you, could have stayed for more ...
I could have been a signpost, could have been a clock
As simple as a kettle, steady as a rock
reminding me a little of the incarnation of a chanson d'amour which is Jacques Brel's Ne Me Quitte Pas. It is really sad that there are no albums made like that anymore today. And the jazzy Bryter Later from 1970 is even Nick Drake's weakest album.
ak,
June 8, 2003 at 5:28:44 PM CEST
Gern geschehen! Und Dank zurück für die "Rhein-Main live"-Sektion rechts. ... link
alex63,
June 8, 2003 at 5:32:04 PM CEST
schon wieder zurück aus moers (meine heimatstadt übrigens) oder immer noch im dunklen zelt zu jazzweltmusik transpirierend? ... link
ak,
June 8, 2003 at 5:35:11 PM CEST
Wieder retour. Den Niederrhein genug mit Schweiß angereichert. "Muss" ja heute in den Mousonturm ;-) ... link ... comment |
last updated: 9/25/24, 10:42 PM subscribers: 390 contact: alex63 at bigfoot dot com 40 years, 40 albums why this is called close your eyes some photos status Youre not logged in ... Login
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