close your eyes
 
March 17, 2003 at 10:02:00 PM CET

[politics]

The stocks soar, a Labour leader resigns, the UN inspectors are about to leave Iraq. The massive attack is imminent. Let it be a short war with few victims, please.

One thing I'd like to know from the US government. Did Saddam ever have the slightest chance to avoid the war in the past months? Or was the US Iraq policy on autopilot? I fear the latter.

P.S. Actually what would happen if Saddam chose to leave the country? I am pretty sure the US administration will take care that he won't leave it. Otherwise all the war preparations would have been for the bin.

P.P.S. It is quite sad that I have these kind of ideas. Does this say more about me or the US government?


 
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[music, thoughts]

Peter erklärt Alex einen Satz von Diedrich, der Theodor erklärt, der Pop erklärt


Adorno könnte eventuell der Nietzsche meiner zweiten Lebenshälfte werden. Mal sehen. Am Liebsten mag ich seine Widersprüche. In der Musik ist er extrem elitär und lässt Pop und Jazz nicht gelten, da sie Musik für die Massen sind. Andererseits ist er überzeugter Aufklärer. Adorno braucht man glaube ich nicht zu widerlegen. Das hat er selbst schon ausgiebig getan. Und genau deswegen ist er auch heute noch relativ aktuell.


 
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[music, songs]

Sinéad, Chan & the children


There are two ways of writing a song about child murder and/or child abuse. You can stay general. And address the Holy Spirit, God and the whole country. That’s what Sinéad O’Connor did in A Prayer for England on the last Massive Attack album 100th Window:

In the name of – and by the power of – the Holy Spirit may we invoke your – intersession for – the children of England some of whom I have seen – murder so obscene - some of whom have been taken - let not another child be slain - let not another search be made in vain - Jah forgive us for forgetting – and Jah help us we need more loving - you see the teachers are representing you so badly – that not many can see ...
Or you can be precise. And tell the stories of the children. That’s what Chan Marshall alias Cat Power did in Names on her last album You Are Free:
... her name was Naomi beautiful round face so ashamed she told me how to please a man after school in the back of the bus she was doin it everyday she was 11 years old her name was Cheryl black hair like electric space she would pretty paint my face she was a very good friend her father would come to her in the night she was 12 years old ...
Both songs are painful. But in a totally different way. O’Connor’s song is painfully bad whereas Marshall’s song is painfully moving. Pathetic religious kitsch the first and unforgettable worldly description the last.
 
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